Kimberly MacNeille

"Sea and Sky" Large landscape/seascape with brilliant light, sun behind clouds

2010

Xavier Rhodes, "Hundred Post," 2017, Oil on Canvas, 51 x 64 Inches New England seascape of picturesque dock with blue water and reflections. Mai...

Xavier Rhodes, "Tangier Starboard" 2018, Oil on Canvas, 51 1/4 x 64 3/4 Inches. New England seascape of picturesque dock with blue water and re...

"Waterfall and Spray #3" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...

"Waterfall and Spray #1" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...

"Waterfall and Spray #4" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a blue sky with bursts of white li...

"Waterfall and Spray #2" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...

Signed and dated seascape oil on canvas by Belgian Realist painter Alfred Emile Leopold Stevens. The work depicts a sail boats off the coa...

Untitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...

JOSÉ GARCÍA Y RAMOS Spanish, 1852 - 1912 LA FIESTA signed & located "Garcia y Ramos / Sevilla" (lower left) oil on wood panel 11-1/4 x 7 inches (28.5 x ...

Venetian Yellow, Venice oil/panel 6 x 8 unframed 9.75 x 11.75 framed, is an oil painting on panel by award winning contemporary artist Michael Budden that showcases a wonderful scene...

"Shadowed Canal," an original oil on canvas by Andrew Jones, is a piece for the true collector. Jones is known for his landscape and cityscape paintings, ...

“The Crossing” aka "Cross Roads," an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of whites and greens project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for animal scenes, horses, landscapes, railroads, and nature. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...